Mowgli
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28/03/2023
Hello to all, in the piece Tango Charmeur (Quenon and Staquet) in the measure 12, it is necessary a G #dim, double bass G # but with which chord it is necessary
to associate it?
thank you for your help, I galère ...
to associate it?
thank you for your help, I galère ...
adargy
05/03/2023
On chromatic accordions, we simplify the diminished chord by the 7th of the bass preceding the desired one.
Example, for C dim, we play the bass of C and the 7th of F
for G# dim we play the bass of G# and the 7th of C#
for memory, order of the basses starting from C and going up, C-GL-RE-LA-MI-SI-FA#-DO#-GL#...
attention for the purists, this version to play the diminished chords and a simplified version
Example, for C dim, we play the bass of C and the 7th of F
for G# dim we play the bass of G# and the 7th of C#
for memory, order of the basses starting from C and going up, C-GL-RE-LA-MI-SI-FA#-DO#-GL#...
attention for the purists, this version to play the diminished chords and a simplified version
adargy
05/03/2023
is a simplified version... sorry for the mistakes
Mowgli
06/03/2023
thank you adargy for your answer, but my question concerns the double bass
G # , second bass row behind the E ?
G # , second bass row behind the E ?
Cavag31
06/03/2023
The answer from adargy seemed to me to fit the question!
On the other hand, with the "double bass" G# "behind" the E, and in the spirit of adargy's simplified version, the E7 fits too.
On the other hand, with the "double bass" G# "behind" the E, and in the spirit of adargy's simplified version, the E7 fits too.
Mowgli
06/03/2023
ok thank you for your answer.
