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This document explains the left-hand keyboard of a compound bass accordion: a brief history, the range of basses and chords, preconceived chords, where they come from, how they are arranged on French and Stradella keyboards, and their notations. The realization of enriched chords, complete dominant 7th, complete diminished 7th, major 7th, minor 7th, sixth, etc., is described for both keyboards. Exercises are suggested.
Take your accordions and give it a try!
Take your accordions and give it a try!
The accordion is a free-reed musical instrument powered by a flow of air generated by the "pull" and "push" of the bellows. Handling the bellows and attacking the notes on the keyboards replaces the blow of the tongue and the breath of a wind instrument (flute, saxophone, oboe, trumpet, etc.). Regular practice of the exercises in this book will enable you to make significant progress in handling the accordion bellows and attacking notes on the vocal (right hand) and accompaniment (left hand) keyboards. The work is divided into four parts. The first part deals with articulations and phrasing: how to attack sounds, slurs, piqués, lourées and accentuations. The second part deals with the color and flexibility of sounds in all registers: bass, midrange and treble. The third deals with the fullness of sound. The booklet concludes with a fourth section offering applications for mastering interpretation. The tuning aspect of the accompaniment keyboard is also covered. These exercises will enable the accordionist to make great progress in interpreting the works.
ELMUSICO_GUY
05/12/2025
Thank you;
I'm looking for this old method by V. Marceau. I used it as a child in 1962-63. I lost the paper version when my mother died. This is not to use it, but to review the content, the fingerings of the time and the evolution of learning with this method.
DétailsI made this arrangement from three versions, one by Astier and Baselli in their yellow method, one by Maëlle Aguila URL https://www.youtube.com/watch?v=QuErxn1GpNQ, and one by Berthoumieux in his accordion method (transposed). The first part of the score is gypsy, the second gypsy jazz, with a written improvisation (by Berthoumieux).
Enki54
01/10/2024
Thank you for your work on this famous Russian theme! 🎶👍❤
DétailsThis is an arrangement for the end of the 1st accordion cycle.
Difficulté
DétailsThis version is fully fingered, and is intended for beginners who have been playing accordion for 1-2 years.
DétailsOne of my little pupils wanted to learn this pop song on the accordion. This arrangement was based on a piano tutorial whose URL is quoted.
DétailsIt's a simple accordion arrangement, created with MUSE SCORE software.
DétailsMr. Jacques Mornet, accordion teacher at CNIMA, gave me the idea for this arrangement. There are few deviations from Jacques Mornet's version in his video. Everything is recorded by hand using MUSE SCORE software. I'm giving this score to my students to work on for a two-week vacation, guided by Monsieur Mornet as teacher via the URL of his video provided on the score.
DétailsThe idea for this arrangement came to me while listening to the version played by Richard Galliano on his album Valses. You can listen to the version played by Galliano via the URL indicated.
